Hugo friedhofer biography
Fact Sheet | hugofriedhofer
- Hugo Wilhelm Friedhofer (May 3, – May 17, ) [1] was an American composer and cellist best known for his motion picture scores.
Die Sister, Die! - Wikipedia
- Hugo Wilhelm Friedhofer (May 3, – May 17, ) [1] was an American composer and cellist best known for his motion picture scores.
Category:Films scored by Hugo Friedhofer - Wikipedia
Hugo Friedhofer : The Best Years of His Life - Google Books
Hugo Friedhofer - The Movie Database (TMDB)
| Born. | |
| Hugo Friedhofer: The Best Years of His Life surveys the impressive career of one of Hollywood's extraordinary composers of music for the movies. | |
| Hugo Wilhelm Friedhofer was an American composer and cellist best known for his motion picture scores. |
Hugo Friedhofer - Wikipedia
- Hugo Friedhofer: The Best Years of His Life surveys the impressive career of one of Hollywood's extraordinary composers of music for the movies.
Friedhofer, Hugo -
Hugo Friedhofer – Wikipédia, a enciclopédia livre
Hugo Friedhofer: The Best Years of His Life: A Hollywood ...
- Arriving in Hollywood in , at the age of 27, at the request of a former San Francisco colleague working in the Fox music department, Hugo soon found himself in demand.
Hugo Friedhofer
American composer (–)
Hugo Wilhelm Friedhofer (May 3, – May 17, )[1] was an American composer and cellist best known for his motion picture scores.
Biography
Hugo Wilhelm Friedhofer was born in San Francisco, California, United States.[2] His father, Paul, was a cellist trained in Dresden, Germany; his mother, Eva König, was born in Germany.
Friedhofer began playing cello at the age of After taking lessons in harmony and counterpoint at University of California, Berkeley,[citation needed] he was employed as a cellist for the People's Symphony Orchestra.[3]
In , he relocated to Hollywood, where he performed as a musician for Fox Studios productions such as Sunny Side Up () and Grand Canary ().[1] Later, he was hired as an orchestrator for Warner Bros. and worked on more than 50 films for the studio.[1] While at Warners he was largely assigned to work with Max Steiner and, because he coul